在线阅读本书 [A] delightful and distinguished book [of seven tales] from middle European folklore [by the winner of the 1978 Nobel Prize for Literature]. BL. 1967 Newbery Honor Book Notable Children's Books of 19401970 (ALA) 1966 Fanfare Honor List (The Horn Book) "Best of the Best" Children's Books 19661978 (SLJ) Best Illustrated Children's Books of 1966 (NYT) Children's Books o...(展开全部)

“我再次强调，NBA的风气根本就不是我带坏的，我都拿这么多冠军了？怎么还不是GOAT？你们这群媒体为什么还要诬陷我？” NBA传奇巨星李严面对ESPN采访十分愤怒。 “我摊牌了，NBA的风气就是我带坏的，摊手、假摔、抱团、碰瓷乔丹，我全干了，甚至媒体也被我控制了，那又怎么样？我确实是GOAT，媒体选的GOAT也是GOAT！” 李严重生，得到了流量系统，他发现，黑流量也是流量！ 　　NBA流量GOAT小说为转载作品，章节由网友发布

In this outrageously farcical adventure, heroGeorge Giles sets out to conquer the terrible Wescac computer system that threatens todestroy his community in this brilliant"fantasy of theology, sociology, and sex" ( Time ).

In this outrageously farcical adventure, heroGeorge Giles sets out to conquer the terrible Wescac computer system that threatens todestroy his community in this brilliant"fantasy of theology, sociology, and sex" ( Time ).

A richly-illustrated adaptation of Anne Rice's Interview with the Vampire, told through the eyes of the vampire Claudia, who was just a little girl when she was turned by the vampire Lestat. Though she spends many years of happiness with her two vampire fathers, she gradually grows discontent with their insistence upon treating her like a little girl, even though she has lived ...(展开全部)

约翰·巴思（John Barth，1930—2024），毕业于约翰·霍普金斯大学新闻系，曾在宾夕法尼亚州立大学英语系任教，于1973年获美国国家图书奖，是美国后现代主义小说及元小说的代表作家之一。巴思是豪·路·博尔赫斯、伊塔洛·卡尔维诺、罗兰·巴特、米兰·昆德拉推崇的作家，他的作品通常涉及反讽、戏仿等手法，主要著作包括《飘浮的歌剧》（The Floating Opera）、《路的尽头》（The End of the Road）、《烟草经纪人》（The Sot-Weed Factor）、《羊孩贾尔斯》（Giles Goat-Boy）、《迷失在游乐场》（Lost in the Funhouse）、《客迈拉》（Chimera）、《星期五之书：随笔及其他非虚构作品》（The Friday Book: Essays and Other Non¬ction）等。...(展开全部)

(Beville's) English translation has been highly lauded... -- Yomiuri Newspaper, Aug. 18th, 2002 For whatever reason, certain poets become spokespersons for their age. Chuya seems to have won that role... -- Leza Lowitz, The Japan Times, May 12th, 2002 I imagine this was tough work since rhythm is central to Chuya's poetry. (This translation) is truly wonderful. -- The Nishinipp...(展开全部)

约翰·巴思（John Barth，1930—2024），毕业于约翰·霍普金斯大学新闻系，曾在宾夕法尼亚州立大学英语系任教，于1973年获美国国家图书奖，是美国后现代主义小说及元小说的代表作家之一。巴思是豪·路·博尔赫斯、伊塔洛·卡尔维诺、罗兰·巴特、米兰·昆德拉推崇的作家，他的作品通常涉及反讽、戏仿等手法，主要著作包括《飘浮的歌剧》（The Floating Opera）、《路的尽头》（The End of the Road）、《烟草经纪人》（The Sot-Weed Factor）、《羊孩贾尔斯》（Giles Goat-Boy）、《迷失在游乐场》（Lost in the Funhouse）、《客迈拉》（Chimera）、《星期五之书：随笔及其他非虚构作品》（The Friday Book: Essays and Other Non¬ction）等。...(展开全部)

(Beville's) English translation has been highly lauded... -- Yomiuri Newspaper, Aug. 18th, 2002 For whatever reason, certain poets become spokespersons for their age. Chuya seems to have won that role... -- Leza Lowitz, The Japan Times, May 12th, 2002 I imagine this was tough work since rhythm is central to Chuya's poetry. (This translation) is truly wonderful. -- The Nishinipp...(展开全部)

Harvard Business School professor Deepak Malhorta uses a fable involving a different set of mice in a maze-mice who question everything-to help readers see how they underestimate their ability change the rules, overcome the constraints they face, and control their own destiny.